Comment On Schoenbegs Piece Peripetie

Comment on how Schoenberg uses the following musical elements in this writing key and Harmony Melody Rhythm Texture flavour Peripetie is an atonal piece. This means that the piece has no key. The piece uses a mountain of dissonant harmonies as well as some of the chords and melodies be often built on hexachords. The texture is in general Polyphonic with the odd monophonic and homophonic bits. Schoenberg uses a dower of techniques to build up the texture and make it more perk up and more complicated. Some of these techniques include inversions, imitations and canons. The rhythms be also obscure and vary. The rhythms change quickly between ¾, 2/4 and 4/4. Schoenberg also layers disparate rhythms to lasther to create a genuinely multiform polyphonic texture. The tempo of the piece is Sehr Rash, which means in German, very fast or very quick. The melody is do up of 7 motifs that are combined in antithetic ways. The melodies are disjunct and often so und angular. Schoenberg does this by musical octave displacement.

Schoenberg doesnt really develop the motif but tell apart of represents the motif in different ways by exploitation techniques like melodic inversions, augmentation and diminution. Schoenberg uses a large orchestra made up from brass, strings, percussion and woodwind. The instruments change quickly between each different making the piece contrast in timbre. Schoenberg also makes the instruments strain at the extremities of their range either very high or very low. He also makes the instruments play in ghostly ways, for example, he makes the cy mbal be played with a mallet and cello bow ! to produce an unfamiliar sound. He also uses instruments that are not utilise or not often use in an orchestra such as the tam-tam and the contra bassoon.If you want to engage a full essay, order it on our website: BestEssayCheap.com

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